SOLID TUBE AUDIO
In April of this Year a workshop titled "The sign of the tube" took place at the Sound Studio Rue...
Real Sound Lab CONEQ
With CONEQ it is possible to improve the frequency-response characteristic of a monitor system. A...
Real Sound Lab CONEQ APEQ-2
"The result is convincing. No matter which kind of music we send to the loudspeakers, with activa...
CEDAR DNS One
With the new CEDAR software it succeeds in a simple way to relieve the original sounds from ambie...
SOLID TUBE AUDIO Etna E1
The main feature of the tube stereo equalizer Etna E1 from SOLID TUBE AUDIO are the tube, which a...
Real Sound Lab
In the March redaction of Pro Sound News interviews Dave Robinson the Director of the Pro Audio D...
SOLID TUBE AUDIO Etna E1
proaudio.de believes that you unconditionally have to listen to the Tube Equalizer ETNA E1 from S...
CEDAR DNS One
AUDIO MEDIA covers in their March issue on the new CEDAR DNS One. In their preliminaries they wro...
CEDAR Cambridge v6
The German "Studio Magazin" wrote in it's Januar 2010 issue: "Especially the new Adaptive Limiter...
CEDAR DNS3000
Susan Pfennigton reports in January 210 in AUDIO MEDIA Magazin on her experience with CEDAR's DNS...
Akustik Workshop bei TORUS
Im September 2010 fand im TORUS Postproduktionsstudio ein Akustikworkshop mit Schwerpunkt Real So...
In die Röhre geschaut
Die Juli Ausgabe des Studio Magazins widmete sich ganz der Analogtechnik. André Christ von Solid ...
Real Sound Lab CONEQ APEQ-2pro
"This product has an unbelieveble potential and is not to be sneezed at your daily work," adjudic...
HHB CDR-882
STEREO wrote in November 2009: "More than a copy station: The CDR-882 takes all advantages of a d...
HHB CDR-882
proaudio.de tested in April 2008 the CDR-882 Dual-Burn and pronounced: "absolutey professional". ...
CEDAR DNS1000
Peter Best explained in LINE UP (issue Nov./Dec. 2008) the change from analougue to digital Noise...
HHB UDP-89
"Absolutey recommendable", proaudio.de pronounced in October 2009 and adviced the HHB UDP-89 Mult...
